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Journal // Studio Visit with Ford's Factory

We visited the studio of Mt. Maunganui based potter Josh Taylor, who produces work under Ford's Factory. Playful, considered, structural, and yet entirely unassuming, a teapot presents itself more like an art piece, but is also fully functional or a bowl that is beautiful left out on the table, empty or filled. All these objects are handmade in his Mount studio and fired out the back in a kiln set amongst flowers and herbs. Here Josh talks to us about his work and studio life.

What’s your full name and how did Ford’s Factory come to be? Joshua Ford Taylor. The Factory began shortly after I failed my final industrial design university paper. I was pretty upset because I put so much work into it but I think it really lit a hot little fire inside me. I had studied fine arts and industrial design but I was always interested in the space between, when I started making ceramics it just seemed to make sense of that space. With some encouragement from my friend Laurie, I made the factory store and I was up and running as fast as I could.

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How did you begin your journey with making?  I think I have always been drawn to making stuff. I was super into painting and drawing when I was quite young, then I got into making remote control model boats, then I got into making surfboards and cooking.  Neither of my parents are super artistic but dad’s a physics lecturer, I guess he was the one who got me hyped on learning how things work. <format> medium left
You have a really beautiful art practice that you’re devoted to, can you pinpoint what drives you?  I don’t really think so. But I think when you make things you are always trying to solve some kind of problem, I might come close to solving it and I get a sort of satisfaction but then a new problem will just replace it. <format> large

 

But it’s not a hopeless thing, it’s a driving thing. It’s addictive, making things.

With the work for Fords Factory I’m also driven by the hope of people getting some sense of joy from the work and if I knew the work is being used and treasured I’d feel real good about it. <format> medium right

 

 

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Can you tell me about your own art practice and the value you place on creating for yourself? <format> medium left

 

Creating things for my own platform/website gives me massive freedom. I can dream anything up and just test it out and there’s no pressure from anyone else - it really helps when your starting something new. <format> medium right

 

I think its really important having work in physical spaces also, because I want people to see the work close up. A photo often doesn’t come close to doing a ceramic work justice.

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Your studio has a really nice character feel, how did you go about setting up the garden kiln?  I’ve been tinkering away at it for a while now, at first it was just the kiln with a bit of iron to shelter it from the rain. Since then I collected a few materials, and now it has walls, a door and benches where I do my glazing. <format> medium right

 

You’ve just returned from a residency at Driving Creek, can you share a little about this experience and the connections you make here?  Yes I’ve been at Driving Creek, with Jaime Jenkins, Laurie Steer, Karl Fritsch, Lisa Walker and Seraphine Pick. It’s really where I first got excited about making stuff from clay.<format> large

There’s something about the place which seems to encourage a kind of reckless creativity. No doubt Barry designed it for that. So far every time I come here I learn how to think about clay in a different way.

 

What are you interested in that you hope to explore further within your practice this year?  So far I think I have been focused on the work itself, what it does and how it looks or feels. This year I am really looking to elaborate on the context and experience of the work. I love looking at fashion collections, and how theatre, sound and space is curated, resulting in this sort of decadent and encompassing experience. I want a Fords Factory collection to do this too.<format> medium left

 

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Any other thoughts, hopes, influences?  David Cakes. <format> large

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